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Sunday, 19 August 2018

Blog Tour - The Adults by Caroline Hulse




The Adults (Hardback)
The most hilarious debut you will read this year.
MEET THE ADULTS.
Claire and Matt are divorced but decide what's best for their daughter Scarlett is to have a 'normal' family Christmas. They can't agree on whose idea it was, or who said they should bring their new partners. But someone did - and it's too late to pull the plug.
Claire brings her new boyfriend Patrick, a seemingly eligible Iron-Man-in-Waiting. Matt brings the new love of his life Alex, funny, smart, and extremely patient. Scarlett, their daughter, brings her imaginary friend Posey. He's a rabbit.
Together the five (or six?) of them grit their teeth over Organized Fun activities, drinking a little too much after bed-time, oversharing classified secrets about their pasts and, before you know it, their holiday is a powder keg that ends - where this story starts - with a tearful, frightened, call to the police...

But what happened? They said they'd all be adults about this...

If you loved THE BREAK by Marian Keyes or raved about THE ROSIE PROJECT - look no further than THE ADULTS.
Publisher: Orion Publishing Co
ISBN: 9781409178293 
I really enjoyed The Adults, it really is one of those books that will make you laugh throughout! While it is most definitely a comedy book, it is also very poignant and is one of those  books that many readers will really identify with and see many of their own friendship circle within the cast of characters throughout the book.
Caroline very cleverly includes with the book a number of police witness statements throughout the story which describes the 'incident' from the many viewpoints of the main characters. I really liked this style of writing and I thought it was an interesting way of telling the story.
I am really looking forward to reading more by Caroline Hulse.
Thank you to the publishers, Orion Books, for a copy of this book in return for an honest review. 


Sunday, 12 August 2018

Blog Tour - Do No Harm by L V Hay

Today I am pleased to be a stop on Orenda Book's  Blog Tour for L V Hay's new release ' Do No Harm'.



                                                                   


After leaving her marriage to jealous, possessive oncologist Maxwell, Lily and her six-year-old son have a second chance at happiness with headteacher Sebastian. Kind but vulnerable, Sebastian is the polar opposite of Maxwell, and the perfect match for Lily. After a whirlwind romance, they marry, and that’s when things start to go wrong…
Maxwell returns to the scene, determined to win back his family, and events soon spiral out of control. Lily and Sebastian find themselves not only fighting for their relationship, but also their lives…
Chilling, dark and terrifying, Do No Harm is a taut psychological thriller and a study of obsession, from one of the most exciting new voices in crime fiction.


Do No Harm is a great psychological thriller which kept me on the edge of my seat to the very end. It is a very well constructed novel which includes everything needed to make it a bestseller. This all begins with the fantastic cover design.

Lucy very cleverly entwines a couple of story lines which she brings together brilliantly which leads to an unpredictable and exciting story which comes to a satisfying ending which has left me eager to read more of Lucy's books. I really enjoyed the three voices within the narrative, all adding their own twists and turns throughout.


I am really pleased that Orenda Books arranged for me to host a guest post from Lucy V Hay to celebrate the publication and she tells my readers about her rules for writers in the style of Elmore Leonard :


Elmore Leonard’s Rules For Writers: The LV Hay version By @LucyVHayAuthor

In addition to my job as an author of novels like Do No Harm, I’m also a script reader. This means I read LOADS of screenplays - and now novels, too - for other writers every year, plus I also train other script readers.

This means I spend a lot of time looking at so-called ‘writing rules’ (I prefer to call them ‘best practices’), in order to help advise other writers solve their writing problems. One of the most useful – and short! – lists I’ve found is Elmore Leonard’s Top 10.

You will have likely come across it too, because it’s very popular online. This is because it’s short and to the point list, which any writer, new to pro, can follow. Anyway, here are Elmore Leonard’s rules, with my thoughts attached. Unless I say otherwise, my thoughts apply to both novels AND scripts. Enjoy!

1. Never open a book (or script!) with weather
Gotta agree with Elmore here. We might be British (and everyone knows we LOVE to go on and on and on about the weather!), but starting off with it is DULL. Starting with stuff like ‘It was a dark and stormy night’ is also a massive cliché, so avoid like the plague (haha!). VERDICT: Agree.

2. Avoid prologues
There was a while when prologues seemed fairly popular in both novels AND movies, but these days readers and audiences want to dive straight into the nitty-gritty. That said, if you have written a prologue, don’t panic – as long as it’s good, you can always re-label it ‘chapter one’! VERDICT: Agree, but you can cheat.

3. Never use a verb other than “said” to carry dialogue
Obviously, you never ever use ‘said’ in a screenplay (though you would be surprised by how many screenwriters try!). But as far as novels go, this is an interesting one, because I started off thinking Elmore was wrong on this one: is ‘said’ REALLY far less ‘intrusive’ than ‘grumbled, gasped, cautioned, lied’ (or similar)? Then I started actively looking for words that weren’t said and discovered, actually, they DO stick out far more. In fact, ‘said’ sticks out too – and very often, you don’t need it, either. Readers CAN follow dialogue without speech tags, so I would venture it’s a good idea to use ALL of them sparingly! This way you can use other words in speech tags for impact when you need to, without any problems. VERDICT: Yes AND No - down on ‘said’ as much as possible, too, then you can use whatever you want.

4. Never use an adverb to modify the verb “said”
Ugh, I’m with Elmore Leonard – and Stephen King – all the way on the dreaded ‘ly’ words in ALL mediums. Hunt them down and KILL THEM! VERDICT: Yes to the max.

5. Keep your exclamation points under control
VERDICT: Again, yup. LISTEN!!!!!!!!!

6. Never use the words “suddenly” or “all hell broke loose”
Points 1 and 5 on the list means this advice is self-explanatory. If we’re avoiding ‘ly’ words and cliches, you should never need to use them (unless there’s a specific point for them! Ooops!!! Overkill on the exclamation marks again). VERDICT: Yes. Again.

7. Use regional dialect, patois, sparingly
Well, someone ought to tell Irvine Welsh and Roddy Doyle. Innit. But to be fair to Elmore Leonard he was well-old and probz didn’t have the skillz to write in such a way AND engage readers. Maybe you don’t either, in which case do as Elmore says. VERDICT: Nopesville.

8. Avoid detailed descriptions of characters In the screenwriting world, screenwriters are advised against ‘laundry list’ character descriptions – that is, concentrate on personality, worldview, flaws, etc instead of what they’re wearing. This might seem odd considering it’s a visual medium, but it’s the ONLY way to write a great character. Lots of novelists could learn from this advice, too. VERDICT: Yup! Elmore nails it.

9. Don’t go into great detail describing places and things:
Same on the above for this, too. You don’t want to concentrate too much on the little things, as this will bring the flow of your chapters or scenes to a standstill. I call it ‘overwriting’. Literally every writer does this in early drafts though, so don’t panic – just watch out for it in the edit. VERDICT: Yes.

10. Try to leave out the part that readers tend to skip.
Elmore Leonard said, ‘If it sounds like writing, I rewrite it.’ This is a GREAT rule for every type of writer to take on board. We want great writing that FEELS authentic and real, not like writers indulging themselves.

So, what are you waiting for? GET GOING! Good luck!!!!!!!!!!! (Couldn’t resist!).

BIO: Lucy V. Hay is a novelist, script editor and blogger who helps writers via her Bang2write consultancy. DO NO HARM is out now and her crime debut for Orenda Books THE OTHER TWIN, has been featured in The Sun and Sunday Express Newspapers, plus Heatworld and Closer Magazine. Check out all her books, HERE.

Thank you to Orenda Books, Anne Cater of Random Things Tours and L V Hay for inviting me to be a part of the blog tour in return for an honest review.

Monday, 6 August 2018

Blog Tour - Pieces of Her by Karin Slaughter

I am really pleased to say that today I am on Karin Slaughter's blog tour today to celebrate the publication of her latest novel in HardBack!!!!


You've known her your whole life...
Andrea Oliver knows everything about her mother Laura. She knows she's always lived in the small town of Belle Isle; she knows she's a pillar of the community; she knows she's never kept a secret in her life.
But she's hiding something...
Then one day, a trip to the mall explodes into a shocking act of violence and Andy suddenly sees a completely different side to Laura.
and it could destroy you both...
Hours later, Laura is in hospital, her face splashed over the newspapers. But the danger has only just begun. Now, Andy must go on a desperate race to uncover the secrets of her mother's past. Unless she can, there may be no future for either of them...

Publisher: HarperCollins Publishers
ISBN: 9780008150822

I am a huge Karin Slaughter fan and she is one of a limited number of authors that I have to get her book in hardback as soon as it is released so when I was asked if I would like to take part in the blog tour it was a definite Yes! And I have not been disappointed. Pieces Of Her is one of her best novels so far and I loved every word of it.

Karin Slaughter is a very clever writer. I loved her Will Trent series of novels but I think that her standalone psychological thrillers have turned the heat up and each one I read leaves me eager for the next. Pieces of Her is written in two time lines and, I must admit, I preferred the present day time line at the start - it was hard hitting and I felt I was in the diner, witnessing the scene unfolding and as Andy's life was turned upside down and she was forced to flee I continued the journey with her as she uncovered the secrets within her mother's life and I really didn't see the twists and turns coming as her secrets are uncovered! The bond between a mother and her child is strong within this book and I really enjoyed delving into this deeper and deeper as the book progressed. It is a really well put together book that even though I have now finished it is still with me and I am still thinking about the book and its messages. A mother and a daughter's bond is strong and never broken - and as Agatha Christie says:



I am really pleased to be able to share an extract from 'Pieces of Her' with my blog readers:

PROLOGUE

For years, even while she’d loved him, part of her had hated him in that childish way that you hate something you can’t control. He was headstrong, and stupid, and handsome, which gave him cover for a hell of a lot of the mistakes he continually made—the same mistakes, over and over again, because why try new ones when the old ones worked so well in his favor? 

He was charming, too. That was the problem. He would charm her. He would make her furious. Then he would charm her back again so that she did not know if he was the snake or she was the snake and he was the handler. 

So he sailed along on his charm, and his fury, and he hurt people, and he found new things that interested him more, and the old things were left broken in his wake. 

Then, quite suddenly, his charm had stopped working. A trolley car off the tracks. A train without a conductor. The mistakes could not be forgiven, and eventually, the second same mistake would not be overlooked, and the third same mistake had dire consequences that had ended with a life being taken, a death sentence being passed, then—almost—resulted in the loss of another life, her life. 

How could she still love someone who had tried to destroy her?
When she had been with him—and she was decidedly with him during his long fall from grace—they had raged against the system: The group homes. The emergency departments. The loony bin. The mental hospital. The squalor. The staff who neglected their patients. The orderlies who ratcheted tight the straightjackets. The nurses who looked the other way. The doctors who doled out the pills. The urine on the floor. The faeces on the walls. The inmates, the fellow prisoners, taunting, wanting, beating, biting. 

The spark of rage, not the injustice, was what had excited him the most. The novelty of a new cause. The chance to annihilate. The dangerous game. The threat of violence. The promise of fame. Their names in lights. Their righteous deeds on the tongues of schoolchildren who were taught the lessons of change.
A penny, a nickel, a dime, a quarter, a dollar bill . . . 

What she had kept hidden, the one sin that she could never confess to, was that she had ignited that first spark. 

She had always believed—vehemently, with great conviction— that the only way to change the world was to destroy it. 

CHAPTER 1 

“Andrea,” her mother said. Then, in concession to a request made roughly one thousand times before, “Andy.” 

“Mom—” 

“Let me speak, darling.” Laura paused. “Please.” 

Andy nodded, preparing for a long-awaited lecture. She was officially thirty-one years old today. Her life was stagnating. She had to start making decisions rather than having life make decisions for her. 

Laura said, “This is my fault.”
Andy felt her chapped lips peel apart in surprise. “What’s your fault?” 

“Your being here. Trapped here.” 

Andy held out her arms, indicating the restaurant. “At the Rise-n-Dine?” 

Her mother’s eyes traveled the distance from the top of Andy’s head to her hands, which fluttered nervously back to the table. Dirty brown hair thrown into a careless ponytail. Dark circles under her tired eyes. Nails bitten down to the quick. The bones of her wrists like the promontory of a ship. Her skin, normally pale, had taken on the pallor of hot dog water. 

The catalog of flaws didn’t even include her work outfit. The navy-blue uniform hung off Andy like a paper sack. The stitched silver badge on her breast pocket was stiff, the Belle Isle palm tree logo surrounded by the words police dispatch division. Like a police officer, but not actually. Like an adult, but not really. Five nights a week, Andy sat in a dark, dank room with four other women answering 911 calls, running license plate and driver’s license checks, and assigning case numbers. Then, around six in the morning, she slinked back to her mother’s house and spent the majority of what should’ve been her waking hours asleep. 

Laura said, “I never should have let you come back here.” 

Andy pressed together her lips. She stared down at the last bits of yellow eggs on her plate. 

“My sweet girl.” Laura reached across the table for her hand, waited for her to look up. “I pulled you away from your life. I was scared, and I was selfish.” Tears rimmed her mother’s eyes. “I shouldn’t have needed you so much. I shouldn’t have asked for so much.” 

Andy shook her head. She looked back down at her plate. “Darling.” 

Andy kept shaking her head because the alternative was to speak, and if she spoke, she would have to tell the truth. 

Her mother had not asked her to do anything. 

Three years ago, Andy had been walking to her shitty Lower East Side fourth-floor walk-up, dreading the thought of another night in the one-bedroom hovel she shared with three other girls, none of whom she particularly liked, all of whom were younger, prettier and more accomplished, when Laura had called. “Breast cancer,” Laura had said, not whispering or hedging but coming straight out with it in her usual calm way. “Stage three. The surgeon will remove the tumor, then while I’m under, he’ll biopsy the lymph nodes to evaluate—” 

Laura had said more, detailing what was to come with a degree of detached, scientific specificity that was lost on Andy, whose language-processing skills had momentarily evaporated. She had heard the word “breast” more than “cancer,” and thought instantly of her mother’s generous bosom. Tucked beneath her modest one-piece swimsuit at the beach. Peeking over the neckline of her Regency dress for Andy’s Netherfield- themed sixteenth birthday party. Strapped under the padded cups and gouging underwires of her LadyComfort Bras as she sat on the couch in her office and worked with her speech therapy patients. 

Laura Oliver was not a bombshell, but she had always been what men called very well put together. Or maybe it was women who called it that, probably back in the last century. Laura wasn’t the type for heavy make-up and pearls, but she never left the house without her short gray hair neatly styled, her linen pants crisply starched, her underwear clean and still elasticized. 

Andy barely made it out of the apartment most days. She was constantly having to double back for something she had forgotten like her phone or her ID badge for work or, one time, her sneakers because she’d walked out of the building wearing her bedroom slippers. 

Whenever people in New York asked Andy what her mother was like, she always thought of something Laura had said about her own mother: She always knew where all the tops were to her Tupperware. 

Andy couldn’t be bothered to close a Ziploc bag. 

On the phone, eight hundred miles away, Laura’s stuttered intake of breath was the only sign that this was difficult for her. “Andrea?” 

Andy’s ears, buzzing with New York sounds, had zeroed back in on her mother’s voice. 

Cancer. 

Andy tried to grunt. She could not make the noise. This was shock. This was fear. This was unfettered terror because the world had suddenly stopped spinning and everything—the failures, the disappointments, the horror of Andy’s New York existence for the last six years—receded like the drawback wave of a tsunami. Things that should’ve never been uncovered were suddenly out in the open. 

Her mother had cancer. She could be dying. 

She could die.

Laura had said, “So, there’s chemo, which will by all accounts be very difficult.” She was used to filling Andy’s protracted silences, had learned long ago that confronting her on them was more likely to end up in a fight than a resumption of civil conversation. “Then I’ll take a pill every day, and that’s that. The five-year survival rate is over seventy percent, so there’s not a lot to worry about except for getting through it.” A pause for breath, or maybe in hopes that Andy was ready to speak. “It’s very treatable, darling. I don’t want you to worry. Just stay where you are. There’s nothing you can do.” 

A car horn had blared. Andy had looked up. She was standing statue-like in the middle of a crosswalk. She struggled to move. The phone was hot against her ear. It was past midnight. Sweat rolled down her back and leached from her armpits like melted butter. She could hear the canned laughter of a sitcom, bottles clinking, and an anonymous piercing scream for help, the likes of which she had learned to tune out her first month living in the city. 

Too much silence on her end of the phone. Finally, her mother had prompted, “Andrea?” 

Andy had opened her mouth without considering what words should come out.
“Darling?” her mother had said, still patient, still generously nice in the way that her mother was to everyone she met. “I can hear the street noises, otherwise I’d think we’d lost the connection.” She paused again. “Andrea, I really need you to acknowledge what I’m telling you. It’s important.” 

Her mouth was still hanging open. The sewer smell that was endemic to her neighborhood had stuck to the back of her nasal passages like a piece of overcooked spaghetti slapped onto a kitchen cabinet. Another car horn blared. Another woman screamed for help. Another ball of sweat rolled down Andy’s back and pooled in the waistband of her underwear. The elastic was torn where her thumb went when she pulled them down. 

Andy still could not recall how she’d managed to force herself out of her stupor, but she remembered the words she had finally said to her mother: “I’m coming home.

Thank you to Karin Slaughter and her publishers, Harper Collins, for inviting me to take part in the blog tour. 


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